Davinci Resolve Editor
Safe DaVinci Resolve Studio editing through davinci-resolve-mcp or the official Resolve...
Install
npx skills add liuluhaixiu/DaVinci-AutoEdit-Agent --skill davinci-resolve-editor -g -a claude-code -y- Repository
- liuluhaixiu/DaVinci-AutoEdit-Agent501
- Category
- AI and agents
- Updated
- 5mo ago
- License
- MIT
- Context cost
- Lightabout 748 tokens
- Runs scripts
- No, instructions only
What it does
Safe DaVinci Resolve Studio editing through davinci-resolve-mcp or the official Resolve Python API. Use when Codex must inspect Resolve state, create or revise projects and timelines, import approved media, place source ranges, apply authorized LUTs or effects, prepare rendering, and verify gaps, tracks, source bounds, frame origin, and actual write success.
DaVinci Resolve Editor
Operate only from an approved blueprint. Read references/mcp-operations.md for
the tool map and references/verification.md before delivery.
For deeper operations, load only the relevant bundled reference:
references/compound-tool-reference.mdreferences/prompt-patterns.mdreferences/page-capabilities.mdreferences/keyboard-shortcuts.md
Connect
- Confirm Resolve Studio is open and external scripting is set to
Local. - Call
resolve -> get_version. - If the tool is unavailable, distinguish missing registration from a server failure. An MCP config file alone is not proof of connection.
- Offer blueprint-only delivery or the official Python API fallback.
Install the upstream MCP server when the user approves configuration:
npx davinci-resolve-mcp setup
Write Contract
Before changing Resolve, state:
- project and timeline name
- tracks to create or modify
- media and derivative paths
- color, audio, subtitle, and render operations
Obtain explicit approval. Use a new project or duplicated timeline for substantial revisions. Preserve existing user tracks, audio, grades, and manual work unless the user explicitly authorizes modification.
Build
- Import only blueprint media.
- Convert seconds to frames using the actual project FPS.
- Set source in/out and record frame deliberately.
- Keep source ranges within probed bounds.
- Use explicit track roles rather than assuming A1/A2/A3 universally.
- Add BGM, LUTs, stabilization, retiming, audio processing, and renders only when the current request authorizes them.
- Apply LUTs to verified camera/color-space groups and read back the node LUT.
